The wooden floors at the living room, the impressive and spindly fireplace and finally the composition on the wall with various old objects that he collects, are blended harmoniously in an elegant style. The balcony looks like an extension of the living room as it follows the interior design of the house. As you should see, Nassos posed in the armchair where he spends his summer nights. Indeed, he says that the outside space isn’t yet ready. Imagine! Why am I referring to the aesthetics of his home? I think that for Nassos there is aesthetic or not. There is nothing to be tasteful and something else not. This may be the reason for his timelessness; everything that he chooses for himself is shared through his plans. While he is being photographed by Dimitris Andritsos in his beloved, velvet armchair – he seems to use to sit there- I notice the countless portraits, many books around the place, Kleopa in the glass – a black goldfish, fashion magazines aligned with geometric precision and photos, perhaps the most important moments, awards in fashion shows, his mother and a few more when he was a child.